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"In the Room of a Thousand Miles", by Billy Collins

In the Room of a Thousand Miles



I like writing about where I am,


where I happen to be sitting,


the humidity or the clouds,


the scene outside the window--


a pink tree in bloom,


a neighbor walking his small, nervous dog.


And if I am drinking


a cup of tea at the time


or a small glass of whiskey,


I will find a line to put it on.


My wife hands these poems back to me


with a sigh.


She thinks I ought to be opening up


my aperture to let in


the wild rhododendrons of Ireland,


the sun-blanched stadiums of Rome,


that waterclock in Bruges--


the world beyond my inkwell.


I tell her I will try again


and travel back to my desk


where the chair is turned to the window.


I think about the furniture of history.


I consider the globe, the lights of its cities.


I visualize a lion rampant on an iron shield,


a quiet battlefield, a granite monument.


And then--just between you and me--


I take a swallow of cold tea


and in the manner of the ancient Chinese


pick up my thin pen


and write down that bird I hear outside,


the one that sings,


pauses,


then sings again.






From “Picnic, Lightning” by Billy Collins (University of Pittsburgh Press: 104 pp.)





 
 
 

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© 2025 by Susana Laborde-Blaj 

Design & Photography Susana Laborde-Blaj

Additional Photography Santiago Beltran Laborde, Leon Beltran Laborde & Ron Blaj 

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